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How UK Bill Shields Mainstream Media & Axes Russian News Under Guise of Press Freedom_我的网站

A |           　　距离暑假结束还有不到一周的时间，2026年暑期档进入倒计时。

B | 作为全年跨度最长的档期，暑期档往往是爆款频出的黄金时期，今年影视市场却呈现出“冰火两重天”，电影院线热度回升，剧集市场却遭遇前所未有的冷清。据统计，近七成长剧出现了阶段性无广告“裸播”的现象，行业进入更加审慎理性的阶段。从类型来看，长剧市场告别了古偶独大的旧格局，悬疑冒险与现实主义正剧逆势突围，成为今夏剧集市场的两大亮点。    "Social media is now the main source of information about the world for 16-24-year-olds, and for all ethnic minorities in the UK," explained Ellis Cashmore, honorary professor of sociology at Aston University in the UK.,"Yet platform moderators have practically unrestricted power to edit, and, if they wish, remove content. This is an unheard-of censorial power. I can't think that, in history, proprietors have ever had such colossal power to control the flow and content of information, not just to one population, but to the world.",The Online Safety Bill was first introduced in the British Parliament in March 2022 with the aim of holding social media platforms, search engines and various websites to account for hosting illegal activities or spreading harmful content.,The newly introduced amendment is "designed to guard against the arbitrary removal of articles from journalists at recognized news outlets when shared on social media platforms," according to the UK government's website. The authors of the amendment draw attention to the fact that half of British adults use social media for news, with Facebook*, Twitter and Instagram* being the most popular platforms. When it comes to 16-24 year-olds, the internet is the most-used platform.,Once the bill comes into force, social media giants would be required "to ensure recognized news publishers’ articles remain viewable and accessible on their sites even if they are under review by moderators.",Facebook Doesn't Know What Happens to Users' Data, How It Spreads as Regulators Tighten Their Grip27 April, 19:01 GMT,The introduction of the new amendment can be explained by the fact that the tech giants have proved themselves impossible to control, the professor explained.,"Tech companies operate in a relatively unrestricted way and governments around the world usually rely on the companies' goodwill," he said.,Still, the new amendment is focused on so-called "category one companies", which include "the largest and most popular social media platforms", and is not designed to shield alternative media sources.,The bill's selective approach has been manifested by its earlier amendment obligating social media platforms "to proactively look for and remove disinformation from foreign state actors which harm the UK." It specifically singles out Russian news, with an obvious reference to Sputnik News and RT - both previously banned by the EU and social media giants after the beginning of the Russian special operation to de-militarize and de-Nazify Ukraine.,"Freedom of speech and expression are highly valued principles in western Europe and North America," says Cashmore. "But it is interesting that, after the beginning of the conflict in Ukraine, there were no protests at the decisions of western governments to prohibit broadcasts and news supplies from RT, Sputnik and maybe a few less important news outlets.",EU Bans Work of Sputnik News Sites, Broadcasting of RT TV Channel in the Community From 2 March2 March, 11:53 GMT,The professor notes that wiping Russian news from the media sphere is senseless given that many westerners are interested in learning Russian perspectives. "This does not mean they would be persuaded or even influenced, but they feel entitled to make up their own minds independently. They have been denied that facility," Cashmore stressed.,"Since February, Russia, its people and its values have been condemned, denounced and stigmatized," said the professor. "Vladimir Putin has been personally vilified. It is difficult to see this ending, at least not for 30 years. Russia has been excluded from many world affairs and many believe Russia and the other BRICS countries may coalesce into an international configuration to rival NATO. This would become a new world order.",Meanwhile, the bill's amendments have raised concerns among British campaigners who are warning the government that in its current form the proposed internet safety laws are “on the verge of being unworkable," according to The Independent.,In particular, campaigners have advocated for a number of measures to strengthen freedom of expression and rights safeguards to better protect people from marginalized backgrounds and expand transparency requirements on firms to boost access to data for researchers and academics.,*Facebook and Instagram are banned in Russia over extremist activities.。      　　古偶剧遇冷      　　“爆款公式”失灵      　　暑期档从6月开启，近三个月时间里，已有20余部国产剧上线播出，其中偶像剧，尤其是古偶剧占据半壁江山。

C | 前哨战由《翘楚》《莫离》《云秀行》打响，7月《千香》《百花杀》《雀骨》紧随其后，8月《御廷谣》《花开锦绣》《师兄太稳健》上线，古偶剧密集上新，覆盖了重生、权谋、仙侠等多个细分类型。     　　看上去热闹非凡，却并未真正转化为观众的追剧热情。往年暑期档曾诞生《长相思》《墨雨云间》《星汉灿烂》《苍兰诀》等多部爆款剧，今年的古偶剧不仅口碑和热度平平，招商更是遇冷，近七成剧集在播出中后段出现了阶段性无广告的“裸播”状态。

D |      　　细看这些古偶剧的配置，高人气流量演员、热门IP、平台S级以上评级，几乎集齐了“爆款公式”的所有要素。《莫离》《翘楚》《百花杀》三部S+级剧集，主演白鹿、陈都灵、孟子义皆是手握爆款作品的流量小花，《莫离》更有执导过《三生三世十里桃花》《花千骨》的林玉芬坐镇。然而，豪华配置并未兑换成预期中的热度与口碑。     　　根据云合数据，三部剧热播期集均有效播放量最高的是《百花杀》1954万，对比2025年暑期档播出的《书卷一梦》，该剧集均播放量超3100万，热度可谓锐减。《莫离》集均有效播放量仅为1841万;《翘楚》站内热度破万，但豆瓣评分仅5.1分，“短剧化”节奏让该剧逻辑跳跃，反派集体降智、巧合推进剧情，权谋线还被观众嘲讽为“宝宝权谋”。     　　S级古偶剧的集体失灵远不止于此。《云秀行》豆瓣评分3.8，《御廷谣》豆瓣4.9，评分在暑期档剧集中倒数。

E | 重生、复仇、先婚后爱、权谋博弈等叙事元素在这些剧中反复排列组合，古偶剧的内容差异被不断稀释，“爆款公式”失灵只是时间问题。     　　民国偶像剧《这一秒，过火》双平台预约破千万、招商破亿，但剧中用AI生成的片段却引发集体吐槽。在一片溃败中，现代偶像剧《爱情有烟火》低开高走，凭口碑将A级体量剧播出了S级的效果;中小成本古偶剧《雀骨》零宣发空降，用纯原创剧本、剧情合逻辑等基本功拿到豆瓣6.9分，在流水线作品中替古偶剧争了口气。     　　类型剧突围      　　悬疑、冒险跑出“黑马”      　　当古偶剧集体失守，类型剧在创新和系列化探索中保持着稳定的吸引力，以多线叙事、纪实风格、荒诞喜剧等多元表达留住了观众，其中，悬疑剧、冒险型剧扛起了暑期档长剧的口碑和热度。由《开端》《边水往事》导演“算”执导的《悬案》豆瓣评分稳定在7.6分，是暑期档评分最高的国产剧，剧集以纪实感顺时叙事呈现两起跨越22年的悬案，服化道、年代质感、案件尺度均在线。     　　《昨夜将至》靠“中女”杀出重围，集均播放量达到2334万，热度在暑期档长剧中名列前茅。

F | 该剧讲述面馆老板韩栋与妻子林美月看似安稳的日常之下各自埋藏着不愿被人知晓的过往。此外，《蝉》《人鱼》《凛冬下的罪恶》等悬疑剧虽然没有出圈，但在受众范围内依然有着不错的讨论度。

G |      　　暑期档最大的惊喜来自南派三叔，其打造的“盗墓笔记宇宙”集中发力，两部奇幻冒险剧均取得了不错的成绩。6月11日，盗墓笔记南洋分支的前传作品《南部档案》上线，开播9天全网正片播放量突破3亿，其间因盗版资源泄漏，南派三叔本人上节目控诉热度被分流，引发了广泛热议，最终该剧集均拿下1920万。     　　7月30日播出的《九门》开播仅50小时站内热度破万，以往《盗墓笔记》IP产出的爆款影视剧不少，《九门》前作《老九门》就是其中之一，《九门》在创作层面让陈伟霆再演张大佛爷，让《终极笔记》里饰演吴邪的曾舜晞继续演吴邪的爷爷吴老狗，导演柏杉是《唐朝诡事录》系列的主创，最终播出数据和反响都不错，云合市占率一度达30.4%断层领跑，也是暑期档唯一一部市占率超过30%的剧集。     　　正剧扛鼎      　　现实题材撑起门面      　　今年暑期档还有一个值得注意的亮点是，正剧稳住了长剧市场的口碑底盘。

H | 回顾2025年暑期档，《生万物》以市占率46.1%稳坐年度剧王之列，今年虽未出现同等热度的现象级正剧，但多部作品以扎实口碑守住了品质底线。     　　其中，6月播出的医疗剧《问心2》延续温暖现实主义基调，加入年轻专培医生的视角，在一个个治病救人的案例中完整展现医生的成长之路，豆瓣评分7.5分稳居国产医疗剧第一梯队。当代军旅剧《兵自风中来》凭借硬核的演训战斗和紧凑热血的叙事节奏吸引了大批军旅爱好者收看，该剧CSM全国网收视峰值破2.3%;历史题材剧《江海潮生》生动再现了清末状元实业家张謇在南通深耕实业、大兴教育、普惠民生的救国实践。     　　《重器》是暑期档热度最高的正剧，该剧由沈严执导、赵冬苓编剧，黄景瑜、蒋奇明、于和伟等主演。故事始于1979年，围绕五位法学毕业生的司法生涯展开，以十余桩改编自真实卷宗的案件回溯几代法律人为推进法治进步所付出的巨大努力，展现中国法治的发展进程。猫眼专业版显示该剧收视率峰值突破2.64%，豆瓣开分8.7，最终稳定在7.4分。     　　从市场反响来看，今年暑期档表现出色的剧集，无论是正剧还是类型剧，都摒弃了悬浮叙事与戏剧化噱头。现实主义正剧更以扎实的剧本和敏锐的现实观照，抬升了长剧品质的天花板。

I | 可以预见的是，长剧正在逐渐告别流量时代，观众不再为“顶配阵容”买单，更愿意为好故事停留。

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